I won’t lie: I bought this book primarily because there was a hare on the cover. It was my first Niall Williams novel and I had no idea what sort of author he was, but having now spent many happy hours basking in the luminous quality of his writing I know it won’t be my last. This is happiness indeed.
Set in 1950s Ireland, the story begins as Noel, a boy in his late teens who has dropped out of the seminary following a crisis of faith, returns to the rural community of Faha to live with his grandparents. He has arrived at a highly significant time in the town’s history: it is about to receive electricity for the first time. While Noel struggles with contemplating his future, the family are joined by a newcomer and lodger, brought to Faha by the forthcoming electrical works but with something far more profound on his mind. Christy is on a moral mission to right a great wrong he did to one of the town’s inhabitants many decades ago when he was a young man. For Noel, he provides a window onto parts of humanity he hasn’t yet experienced, the friendship he needs and the impetus to see himself and his future in a new light.
The novel’s structure places the events very firmly within a defined time frame, one that serves to highlight the momentous, quasi-mystical nature of the happenings contained within it. Much as Mary Poppins can only stay until the wind changes, so we know this magical moment won’t last, but also that the town and its characters will be shaped by it for the decades to come. The first notable herald of unusual times is the weather: in Faha, we are told, it rains almost constantly, so the appearance of sunshine is in itself a small miracle, one which is met with pleasure but also incredulity and a sense of the normal order of things being thrown somewhat out of kilter. The coming of the electricity provides another framing device, the novel starting with the news that electrification is on its way and ending with the flicking of the switch that will finally bring modernity to the community. Then there is Christy, whose residence in the town in ostensibly connected to the electrical installation, but who is almost a spiritual presence (guru? sage? I hesitate to say a Christ-like figure, but a clue in the name perhaps?) and one whose appearance in Faha we know to be transient – when the electricity comes, he will go.
This sense of spirituality is the cornerstone of the novel. Human, worldly passions are treated with a reverence that elevates them to something ethereal; even the slightly comedic infatuations of an inexperienced teenage boy are spoken of in deferential terms, albeit with tongue firmly in cheek at times. Music is vitally important, and Noel and Christy’s nocturnal sojourns to the local pubs in search of the best live performers are themselves akin to a spiritual quest. The fact that they are usually blind drunk by the time they head home, and that their inebriated cycling exploits make for some hilarious passages in the novel, strangely (cleverly) doesn’t in any way detract from the sense of joy, elevation and release that comes from following their passion. The whole novel could be said to be one of metaphor; the coming of electric power is poised to illuminate Faha just as the coming of Christy and the events that unfold as a result bring enlightenment to the life of narrator Noel. Even the name Noel has etymological links to the Latin for “birthday” or “relating to birth”; no coincidence perhaps for a character who spends the novel on a journey of self-discovery, personal growth and deeper understanding of those around him as he truly lives perhaps for the first time.
Appropriately, the writing itself is sublime; at times, reading the novel felt like being rocked to sleep in a hammock, the prose lilting, ebbing and flowing but never less than pinpoint precise. On almost every page there was a turn of phrase that made you pause for a second to take in the perfection. Niall Williams takes great care to afford even the most mundane moments a sense of beauty, as if to remind us that everything about this life is wondrous. He also clearly has enormous affection for the rural way of life that has now disappeared; technologically speaking the people of Faha may be backward but they have something special in their sense of community and determined self-sufficiency that we too come to love and admire as the novel goes on. Electricity, that great innovation that we couldn’t in the 21st century do without, seems incongruous and unnecessary here, a blight on tradition that signals an ending as much as it does a beginning.
I fell completely and utterly in love with this novel; I defy you to read it and not do the same! If you’ve read it already – or any of his other books – do tell me what you thought.
Happy reading x